Critical examination of Gothic music akin to Andrew Reed’s Assimilate: A critical history of industrial

Hi All,

I just finished Andrew Reed's Assimilate, and loved it, found it well-researched, enjoyable to read, etc. He only briefly touched on the Gothic and Darkwave both from a literary analysis and the cross-pollination of Goth and Industrial subcultures, but he whetted my taste (particularly because he mentioned "pseudo-medieval music" without talking about Dead Can Dance) for a more critical examination of the Gothic, both in its roots in the literary genre, the analysis of the music and its production, and an analysis of the subculture. I was curious if anyone had written a work of similar breadth as Reed's on the topic? Thus far I've found a number of historical texts (Art of Darkness, Goth: A History, Season of the Witch), but I'm not sure, beyond their own description, which is more extensive or would suit my designs better.

Recommendations of scholarly and non-scholarly articles, journals, and even fanzines alike are also welcome. I've found a few on Jstor right now, but I'm sure some of y'all know some good articles.

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